• Home
  • About
  • Blog
    • Spotlight On
    • Introducing
    • Focus On
    • Photo Album 1
    • Photo Album 2
    • Articles
    • Questionnaire
    • Submission Form
    • Links
    • Trivia Tuesday
  • Focus On - Blog 2
  • Contact
Menu

SIDEBURNS

Street Address
Burlington, Ontario
Phone Number
The Ultimate ETA Fan Magazine

Your Custom Text Here

SIDEBURNS

  • Home
  • About
  • Blog
  • PROFILES
    • Spotlight On
    • Introducing
    • Focus On
  • Fan Info
    • Photo Album 1
    • Photo Album 2
    • Articles
    • Questionnaire
    • Submission Form
    • Links
    • Trivia Tuesday
  • Focus On - Blog 2
  • Contact

Welcome to My World of ETAs

June 13, 2020 Carolyn MacArthur
Results_NFEF_2019-4038.jpg

Introduction

The following article that was first published in 2017 is a prelude to what you may expect to see posted in the coming weeks.  The three ETAs featured in this article have been posted many times on SIDEBURNS Magazine over the past three and a half years, but one of the three will be the focus of more than one article in the weeks to come.  Every ETA I have met at shows and festivals, and most certainly those who have been posted in recaps, bios and interviews, holds a special place in my world of wonderful ETAs. As you read “Keeping His Memory Alive”, you will assuredly discover that one ETA in particular has an unrealized connection to SIDEBURNS Magazine. I hope you enjoy the article. Thank you for liking, following and sharing my ETA posts. 

SAM_1416.JPG
GordonHendricks_Collingwood18-edits.jpg
MattCage_Collingwood18-1254.jpg

Keeping His Memory Alive

According to a CNN iReport, at the time of Elvis’s death on August 16th, 1977, there were only 170 Elvis Tribute Artists worldwide. In 2011, the number grew to 85,000. The experts quoted in the article predict that at that rate of growth, in 2040 a third of the world will be ETAs.

Elvis_Presley_-_Modern_Screen,_June_1958.jpg

My interest in ETAs came quite suddenly and unexpectedly later in life. I was a quite young when Elvis was thrilling audiences with his music and moves in the 1950s. I don’t recall hearing a single Elvis song on my parents’ radio station, CHML, Hamilton ; nor do I remember seeing Elvis on the Ed Sullivan Show. I liked Elvis movies in the early 1960s, but I only ever purchased one of his records, ‘Stuck on You’. By the mid ‘60s, the British Invasion reached North America and I was hooked. Beatles’ music was based in rock and roll, but had a beat that was fresh and exciting.  In comparison to the Beatles with their slick suits, pointed toe boots, and mopped hair, Elvis, with his sideburns and anything but Mod clothes, seemed old to me. My love of the Beatles lasted until I discovered Soul Music in my late teens. And except for “Crying in the Chapel” in 1965, Elvis Presley’s music never did register with me—not even with his spectacular, once in a lifetime shows like the ‘68 Comeback Special and Aloha from Hawaii.

Poster in the Lobby at Fallsview Casino.  Photo Credit:  SIDEBURNS Magazine.

Poster in the Lobby at Fallsview Casino. Photo Credit: SIDEBURNS Magazine.

It wasn’t until my retirement years that I woke up to Elvis. On September 13th, 2015 an outstanding performance by an ETA made me an instant Elvis fan and inspired a newfound hobby—ETA concert hopping, which restored my passion for writing and eventually led to the creation of SIDEBURNS Magazine. 

In this article, I share with you my experiences, observations, and induction into the world of Elvis Tribute Artists. If you are new to the world of ETAs, or if you know someone who believes that ETAs in jumpsuits are paying a mocked tribute to “a fat guy in a suit eating a peanut butter sandwich talking about doing a lot of opiates”[1] I think my article will educate, challenge, and hopefully change your perception.

It was by happenchance that I was offered two free tickets to the Avalon Theatre in Niagara Falls to see Return to Grace. At first I was moderately interested in seeing the show; but after I spotted a promo advertising the upcoming event on a big screen outside the theatre, my interest piqued.  I asked my youngest daughter, an Elvis fan, to join me.

Return to Grace starred seasoned ETA Steve Michaels (aka Stephen Michael Kabakos) from Milton, Ontario.  Both my daughter and I were amazed by his portrayal of Elvis.  He flawlessly covered the decades of Elvis’s career from the 1950s to 1973’s Aloha from Hawaii.  I was so blown away that I came back a second time the following week.

In June, 2016, Helen, Doris and Ruth saw “Return to Grace” in Toronto.  Photo Credit:  Doris Baldson.

In June, 2016, Helen, Doris and Ruth saw “Return to Grace” in Toronto. Photo Credit: Doris Baldson.

From September 2015 to December 2015—in just three months, I saw Steve Michaels in concert seven times.  I drove as far as Port Hope, a fair distance from my home, to see two concerts on one day.  I began to notice many of the same people at each concert; so while waiting in line for a photo and autograph, I would talk to them about the concert.  Fans were willing to share their experiences and information about their favourite ETAs. 

Most had been going to concerts for years, and some even saw Elvis Presley perform live. I could add little to the conversation, because embarrassingly, I had not been to any Elvis festivals or competitions, not even the mega annual event in Collingwood, Ontario.  And when I had an opportunity to see the real Elvis perform in Buffalo, NY in 1976, I declined (much to my regret now). But thanks to technology, I have been able to fill in the years by reading articles and watching performances on YouTube.

In the months that followed the first two shows, I saw Steve Michaels perform a total of sixteen times in less than two years—including at the mega event at the Hershey Centre , billed as a ‘word for word, note for note, song for song’ re-staging of the 1973 Aloha from Hawaii satellite performance complete with Hawaiian dancers and full back-up. I would have seen more of Steve’s show if I could, but some concerts were out of province or out of country.

In 2016 while inquiring at the Lincoln Alexander Centre box office about a ticket for a rumoured Steve Michaels show, I found that Gordon Hendricks from Great Britain had an upcoming show booked at the “Linc”. I was fortunate in procuring one of the last two tickets for Gordon’s sold out show. In 2017, and still months before SIDEBURNS Magazine launched, I saw Gordon again, this time at the Casablanca in Grimsby, Ontario. In that same year, I met Matt Cage (aka Matt Dowsett) originally from Belleville, Ontario for the first time at Flamboro Downs (now Elements Casino). My list of favourite ETAs was starting to grow!

Steve Sept 9_2019_t_Port Hope.JPG
SAM_0397.JPG
Steve Sept 9_2019_Woodbine b.JPG
Steve Sept 9_2019_Woodbine c.JPG
Steve Sept 9_2019_w_Port Hope 2a.JPG
SAM_0324.JPG
SAM_0423.JPG
SAM_0424.JPG
SAM_0971.JPG
SAM_1023.JPG
SAM_1189.JPG
SAM_1357.JPG
SAM_1716.JPG
SAM_2037.JPG
SAM_0320.JPG
Steve Sept 9_2019_Brampton b.JPG

By the time I started writing “Keeping His Memory Alive”, I had seen six different artists perform live and watched dozens more ETAs on YouTube.  I read with much interest the comments below each YouTube video. With thousands of wonderful professional ETAs worldwide to choose from, I wondered why—other than being a great performer, should an ETA earn such adoration from fans.  It seemed that fans had to feel something on a deeper level than just the usual audience/performer connection to develop such a strong interest in their favourite ETA’s career. All three artists I mentioned earlier, Steve, Gordon, and Matt have very successful careers as professional ETAs, and each has a legion of dedicated fans.  So, what does it take to reach their level of success in such a competitive field? Some answers I found through research, but most of what I needed to know came from my own experiences and observations, and it definitely helped talking to fans. As Steve once said, “It’s all in good fun.”[2]

If you are seeking a career as a professional ETA, entering a competition is a good place to start. It will require some work to take you from average guy to Elvis superstar, but it will be worth the effort. Having a tall, lean body is a definite asset.  Elvis was 182 cm, close to 6 ft, and weighed around 75 kg/165 lb at the height of his career.  Not to worry, though, there are very successful artists under 6 ft. If you need a little extra height to give you confidence, slip some lifts in your shoes. No one will know. And it might put you a head above your competition. Black leather pants with waist hugging jackets, and polyester jumpsuits, especially those in white or light blue, are unforgiving; so unless you are trying to make a “big” impression, best keep your weight in check.

Elvis Presley is a legendary popular music figure with an enduring legacy. Legions of fans and numerous professional impersonators enjoy dressing up in the u...

A good head of hair, whatever the colour, is a plus because it can be dyed jet black and styled to suit each decade. Elvis’s personal hair stylist, Larry Geller, stated in Yahoo Beauty that he dyed Elvis’s hair every two to three weeks with L’Oreal. Some sites report that he also used Lapinol and Miss Clairol 51D Black Velvet over the years. To address Elvis’s concern about losing his hair from constant dying, Geller used Vitamin E and jojoba oil to condition his hair.  He also changed brands of hairsprays routinely to avoid drying out Elvis’s hair.  Eyelashes and brows need to be dyed to match your hair. In the early days, Elvis apparently used boot polish to darken his eyelashes. Fortunately there are safe products available for at home use. Shoppers Drug Mart sells a product made in Germany called Swiss O Par for under $20; or you can seek the help of a professional. For touch ups, mascara and eyebrow pencils work well.  Larry Geller even used black mascara in a pinch to touch up Elvis’s hair. If you opt for a wig instead of dye, purchase one of high quality; otherwise your hair will look like a helmet, and no one will want to ‘run their fingers through your long black hair’.  While a good head of hair is an asset, if you have so much chest hair that it looks like you are wearing a brown t-shirt under your jumpsuit, you may want to consider waxing or shaving.  Steve Michaels pointed out during a chat with his audience that Elvis shaved almost all body hair for his movies. Unless you plan on wearing tight white shorts in your act, no need to go that far for authenticity. There are photos showing Elvis with a hairy chest; but since his natural hair was dirty blonde, he most likely shaved or waxed his chest rather than trying to dye it to match.  Covering that much hair with dye would be a nightmare! Shaving or waxing is also a good way to eliminate grey hair and maintain a youthful appearance—or you simply could just keep your jumpsuit zipped up!

ETA Bruno Nesci’s Elvis jumpsuits were on display at the 2019 Flaming Star Elvis Festival.  Photo Credit:  SIDEBURNS Magazine.

ETA Bruno Nesci’s Elvis jumpsuits were on display at the 2019 Flaming Star Elvis Festival. Photo Credit: SIDEBURNS Magazine.

A tanned complexion looks good with black hair, and makes your teeth look pearly white.  If your teeth need work, no one will fault you for having veneers.  It is all part of being a professional entertainer.  Brown or green eyes will benefit from blue contacts. Some ETAs have surgery, treatments, or injections to enhance their appearance; but major surgery to make you an Elvis look-a-like isn’t really necessary.  It is amazing what proper makeup application can accomplish in selling the illusion.  

If you are a non-professional, or if your budget is limited, some articles of clothing can be borrowed from your dad or uncle if you are performing the Early Years. You can also shop at charity shops where you may find actual sport jackets from the 1950s.  Make sure the look is authentic.  Do your research.  Is what you have laid out on your bed really reminiscent of what Elvis would have worn? In the Las Vegas: Images of the King contest outline, Rule # 2 Know Your Material, clearly states: Your costume should represent your song selection for each day. (Example: Do not sing “Suspicious Minds” in a sport jacket or leather).  Rule #3, goes on to say: For the purpose of judging and choosing your material, the Early Years (Sport Jacket, Gold Lame, Speedway Jackets, Black Leather, etc) will be considered from 1954 to Dec. 31, 1968. The “Jumpsuit Years” will be considered as Jan. 1, 1969 through Aug. 16, 1977.

UK ETA Garry Foley shows how great an ETA can look when hair, makeup, and costume all come together in perfect harmony.  Photo Credit:  Lori-Anne Crewe.

UK ETA Garry Foley shows how great an ETA can look when hair, makeup, and costume all come together in perfect harmony. Photo Credit: Lori-Anne Crewe.

If you are performing the ‘70s, be prepared to spend well over three grand CDN to buy a professionally designed jumpsuit made specifically to your measurements. Off the rack costumes are less costly, but make sure the company that offers them is reputable. One such company is ProElvis Jumpsuits in Nanaimo BC whose owner, Elle von Boetticher, gained national recognition when she appeared on Dragon’s Den.  There are some interesting videos on YouTube where Elle explains what goes into the jumpsuits she makes.  Elle’s company is one of the top suppliers of Elvis costumes internationally because she provides garments to customers that are of the highest quality.  She makes sure you won’t leave a trail of rhinestones, studs and nail heads on the stage.[3]  And you definitely do not want the seams to tear.  Elvis jokingly changed the words in the song “Suspicious Minds” in his 1973 Aloha from Hawaii concert from “because I love you baby” to “I hope this suit don’t tear up baby” as he took a deep karate stance.  But it is a real possibility. On March 21st, 1976 at a concert in Ohio, Elvis’s jumpsuit did tear, and Charlie Hodge came to the rescue by tucking a towel in Elvis’s belt.  After the set, Elvis returned to the stage in a new outfit with the torn jumpsuit slung over his shoulder. Designer Bill Belew was horrified!

Elvis Tribute Artists put a lot of hard work into perfecting their dance moves and voice to reflect the King. However, a lot goes into looking like Elvis. In...

It may seem like a lot of preparation for a maximum of four minutes on stage, given that appearance only counts for about 20% of the judges’ marks in most competitions.  But keep in mind that you are building a reputation that may lead to a win that may ultimately lead to a professional career.

Performance counts for 40% of your total score, as does vocals. Each competition likely has its own system of judging, but the Vegas competition application form is worth a look because it is precise in the breakdown of the marking system and provides helpful guidelines for potential competitors.

ETA Steve Michaels, Port Hope, Ontario. Photo Credit: Carolyn MacArthur.

ETA Steve Michaels, Port Hope, Ontario. Photo Credit: Carolyn MacArthur.

It is somewhat surprising that performance and vocals count equally in the overall score. Elvis’s movements were so distinctive that you could see his shadow and know it was him; but unless you have “the voice”, few will buy your CDs that you will want to sell at your concerts. If you sell DVDs as well as CDs, you accurately need to learn the moves that match each song.  Keep in mind that your audience can access the same Elvis movies and concerts that you watch, so don’t improvise, especially in competition.  If I see an ETA making a move I don’t recognize, which often happens because I am a relatively new fan, I check my computer to see if I can find a reference for the move.  I also check costuming.  Did Elvis wear that red and black scarf with a black suit? When did Elvis tug at his army shirt?  Perhaps other fans aren’t so obsessed with authenticity, but I am because I am interested in why certain artist’s careers have longevity. I think it is down to how much attention is paid to details in keeping The King’s memory alive.  Steve Michaels once said of his performances:  “If Elvis didn’t do it on stage, I won’t do it on stage.” Steve’s integrity has led to worldwide recognition and a fan base that reached a million.[4]  However, to keep the interest of your fans, and to make your concerts enjoyable to perform, you will likely want to add personal touches that make your tribute unique.  Keep in mind you are honouring an icon.  Ask yourself, “Is what I am doing something Elvis would have done on stage?”

Waiting in line to talk to Steve after his show in his hometown of Milton, Ontario.

Waiting in line to talk to Steve after his show in his hometown of Milton, Ontario.

Audience interaction and reaction only counts for 5% during competition, but is crucial to achieving a successful ETA career.  At the Avalon Theatre in Niagara Falls, there was no after concert interaction with the performers. And because photos and recordings are not allowed in the theatre, I had to satisfy my need for a souvenir (balcony seats were too far away to have any chance of getting a scarf) by taking a photo of Steve Michaels’ photo that was mounted in the hall of performers.  It wasn’t until a concert in Guelph that I learned that after most concerts, ETAs do a meet-and-greet with their fans to allow time for a chat, a photo, and an autograph.  It is during this interaction that bonds are formed. Sure, I know they really aren’t Elvis; but for the duration of the concert, reality is suspended; and if the ETA is good at his craft, he completes the illusion.  It really is quite thrilling.  ETAs have a big advantage over the real Elvis in that they are living beings who are quite willing to shake a hand, kiss a cheek, or give a hug. If it were the real Elvis, how close do you think the average fan would get to him?  And it is not just women my age that form a connection with their favourite ETA.  I have seen children, teens, women and men of all ages patiently waiting in line.  But it is women who are old enough to remember when Elvis was alive that appreciate the experience the most.  I am sure each fan has a touching story about their favourite ETA.  For me it was a magical night in Fergus, Ontario that holds a special memory for me. 

The photo of Gordon Hendricks and me predates the launch of SIDEBURNS Magazine.  Taken at the Lincoln Alexander Centre, Hamilton, Ontario, 2016.

The photo of Gordon Hendricks and me predates the launch of SIDEBURNS Magazine. Taken at the Lincoln Alexander Centre, Hamilton, Ontario, 2016.

The concert venue was a beautiful church in Fergus. As I parked my car, I could almost feel the stained glass windows shake from the vibration of the band and the power of Steve’s voice during rehearsal.  It was a cold November evening, and since it was too early to take a seat, I went for a cup of tea.  By the time I returned, the doors had opened and concert goers were quickly filling up the first come first served seats.  For some reason, the two ladies who entered before me took the second pew.  I had the front pew all to myself. I knew from other concerts, that scarves are normally handed out during “Suspicious Minds”. As much as I wanted a scarf, I couldn’t get up the nerve to approach the stage; but when the lady behind me enthusiastically ran to the stage, I followed her.  When Steve placed a scarf around my neck and said, “It’s nice to see you again,” it was paramount to Prince Charles saying to me, “I hope you haven’t come too far,” when he shook my hand after his Dundurn Castle tour.  I haven’t shared my experience with anyone until now for fear of sounding foolish.  I have since learned that other women my age have their own sentimental story to share.  At an ETA concert, a 71 year old lady told me that she gave Gordon Hendricks a glass a wine at his concert in Grimsby while he was on stage.  It was the same concert I attended, and I remember the moment very well.  She proudly told me that she has a photo of him giving her a hug. I understood how she felt about the experience as I had fond memories of my interactions with Gordon. At the Hamilton concert, I asked Gordon if I could interview him…not even sure why I felt compelled to ask, since I had not even a germ of an idea that I would one day own an ETA magazine.  I was surprised and pleased when he said yes.  On our second meeting after the Grimsby concert, I mentioned that my table was so far from the stage that he wasn’t able to make it to my seat during the audience walkabout part of his show.  Gordon, without hesitation, reached in a box and pulled out one of his CDs which he handed to me and later signed.  Buying a glass of wine, receiving a CD…bonding :)

After Gordon’s Casablanca Show in Grimsby, Ontario.

After Gordon’s Casablanca Show in Grimsby, Ontario.

The more I talk to fans about their experiences, the more convinced I am that my newly discovered hobby plays an important role in the lives of women that society generally passes over.  ETAs see the warmth and humour that women in their retirement years have to offer. Some of the relationships between ETAs and their fans span more than twenty years. Fans have watched their favourite ETA’s careers closely and they know more about them than just what they do on stage. Some ETAs share stories about their families with the audience during their performances, but the intimacy with their followers goes beyond the amusing stories.  I have overheard fans tell the artists about their recent surgeries, or what their children have been up to lately.  Fans will ask about the artist’s wife or girlfriend, and often present gifts for an ETA’s birthday or new baby.  It may be just good business to listen to the stories of people who buy tickets to your concert, but I think they really do feel a connection to their fans.  The ETAs I have met seem very caring and sincere.  They all have the amazing knack for making you feel like you are the only person in the room when they are conversing with you.  You have to really like people if you chose a career as an ETA.  When I first spoke to Steve, Gordon, and Matt, I was struck by how down to earth they really are. On stage, each puts on a killer performance as Elvis; but off stage, to put it blandly, they are ‘nice guys’. Perhaps it is because they worked so hard on their careers, or maybe it stems from their upbringing, but all three ETAs are very approachable.  If an artist does develop an attitude, I think they risk losing fans. But what really goes on in the mind of my favourite artists?  I am extremely grateful to the ETAs whom I interviewed for allowing me to ask questions that let fans get to know them on a deeper level.

Agnes_Sylvain_Nashville's in Henrietta, NY.jpg
Audrey M. with Matt Cage.jpg
SAM_2511.JPG
Bernice Brown and Richard Wolfe 2 copy.jpg
SAM_2526.JPG
China Doll.JPG
SAM_2596.JPG
Deb Curran and Anthony Joseph.jpg
SAM_2734.JPG
Helga with Tim E.JPG
SAM_2966.JPG
Hope_Leon_three.JPG
SAM_2983.JPG
Ingrid Gockert with Dean Z 2019.jpg
SAM_2984.JPG
SAM_3044.JPG
Mike Calamusa and Marian Reid 2.JPG
SAM_3052.JPG
SAM_3055.JPG
SAM_3057.JPG
SAM_3070.JPG
SAM_3083.JPG
SAM_3213.JPG
SAM_3214.JPG
SAM_3219.JPG
SAM_3308.JPG
SAM_3332.JPG
SAM_3377.JPG
SAM_3510.JPG
SAM_3511.JPG
SAM_3568.JPG
SAM_3572.JPG
SAM_3631.JPG
SAM_3719.JPG
SAM_3720.JPG
SAM_3817.JPG
SAM_3877.JPG
SAM_3905.JPG
SAM_3958.JPG
SAM_3968.JPG
SAM_4379.JPG
SAM_4499.JPG
SAM_4545.JPG
SAM_4573.JPG
SAM_4618.JPG
SAM_4718.JPG
SAM_5116.JPG
SAM_6311.JPG
SAM_6339.JPG
SAM_6355.JPG

I mentioned earlier that I would definitely see Matt Cage again.  And I did! Several times in fact—at local venues and three times in a play, with the first play being a memory building event.

On August 25th, 2017 I drove at breakneck speed to Drayton, Ontario to see Matt in The Million Dollar Quartet.  I saw the same play the year before at the Avalon Theatre at Fallsview.  It was good; but the cast at Drayton was outstanding.  For me, it was all about seeing Matt perform.  What Matt brought to the role as an award winning ETA was spectacular.  If anyone can accurately interpret the role of young Elvis, it stands to reason that it would be someone who lives and breathes the role on a weekly basis.

I had the perfect seat at the theatre: Orchestra Centre, Row A Seat 14. I reasoned from the promo video that this would be the best seat to see Matt perform.  I was correct. Strangely, in a packed theatre, the front two rows were mostly vacant, so I moved over to seat 15, leaving empty seats on either side, which you will see proved to be advantageous.  

ETA Matt Cage poses with Carolyn MacArthur after  his MDQ performance at the Drayton Opera House.

ETA Matt Cage poses with Carolyn MacArthur after his MDQ performance at the Drayton Opera House.

Matt’s first appearance on stage happened a few minutes into the first scene.  Surprisingly, to me at least, Elvis is not the main character, but one of four musical giants that gathered at Sun Records on Tuesday, December 4th, 1956.  Perhaps the best lines in the play were written for the Jerry Lee Lewis role, and Gerrad Everard was outstanding in his role, but my eyes were on Matt—whether saying his lines or just standing there in character.  Unlike an ETA concert where audience members shout things out and the performer openly converses with the audience, a play requires decorum.  I didn’t want to make eye contact with Matt or a gesture in any way that might throw off his timing. 

I don’t want to give away too much about the play, since I hope at sometime you will see this great play, but in the last scene of the 95 minute play, each of the four actors perform a song made famous by their character.  It was at this point that the audience got a glimpse of why Matt Cage is an award winning ETA.  Matt was amazing!  It was at this point the evening took an interesting twist. 

Elvis/Matt scanned the front row, and centred on me by saying, “I don’t like seeing a lady sitting alone.”  Then, in what remains a blur, he asked me to approach the stage.  I wasn’t sure if I heard correctly, so I made a motion indicating, “You want me to come there?” Matt got down on one knee and leaned in for a kiss and a hug.  It may sound corny to outsiders, but ETA fans who have had similar experiences at concerts will understand what I was feeling.  For this to happen at a play took me by surprise. I think I uttered something, such as, “Matt, you’re the best.”  Gawd, I hope I didn’t sound too lame.  Even if I did, in hindsight, I don’t really mind, because this special moment inspired me to start writing again.  Thank you, Matt.

After MDQ in Hamilton, Ontario.

After MDQ in Hamilton, Ontario.

The evening didn’t end here, however.  After the play, Matt and Gerrad stood at the doorway of the theatre to shake hands and chat with audience members as they left.  I don’t remember any other plays I have seen in my lifetime where such an event occurs.  It is such a treat for audience goers.  Not only did I get to talk to Matt and Gerrad, but they posed for photos.  Again, a post-play event--a first for me, one that was much appreciated since photos were not allowed in the theatre. Matt was as kind and sweet as I remembered him from our first meeting.  How are some actors/performers able to make the transition from stage to real life seamlessly, while others buy into the hype and let success change them?  Perhaps the answers are written in the stars.   

Searching for Answers in the Stars

Anyone who knows me well knows that I am a follower of astrology.  It doesn’t rule my life, but it is a topic that I enjoy.  Much like my interest in ETAs, astrology is a hobby.  Today, my two hobbies have collided.  I wanted to find some answers to my question about why some ETAs can kill it on stage, but remain so down to earth in real life.  I was also was searching for words to describe what I see in Matt Cage, so I looked up his birthday horoscope.  It may be surprising to nonbelievers, but not to me, that much of what I observed and felt about Matt was written in the stars.  If I knew his time and place of birth, it would have been even more accurate.  New to this post are the horoscopes for Gordon Hendricks and Steve Michaels. And it seems fitting that I include the birthday horoscope of the man who is responsible for the entire ETA world, Elvis Presley.

Elvis Presley

If Elvis had worn a Zodiac sign jumpsuit, it would have had a goat somewhere in the design since Elvis was born under the sign of Capricorn.  Here is what my astrology research revealed about someone born on January 8th:

Elvis Happy Birthday 4.jpg

If your birthday is January 8th, you are gifted!  You spoil your friends and family with extravagant spending.  You are one hard working individual.  According to your birthday personality, your connections with your family are powerful.  It is where you feel emotionally safe, but sometimes they are inclined to have more influence than they should when it comes to important decisions in your life.  When it comes to lasting friendships, you have few outside family members.  This is mostly due to trust issues.  You love to eat.  You do not spend much time on evaluating the health benefits, or lack thereof, of the foods you consume.  There could be an underlying cause for you need to eat certain foods.  

You have a sense of purpose that most people do not receive until later in life.  In that aspect, you are fortunate.  With this ability, you can see both sides of a situation.  You are sensitive to others.  You are emotional, and your mood swings can be frustrating.  Your temper tends to alter the reputation you work so hard to develop.  Prepare for dramatic changes, as you will have to make adjustments according to those changes that occur.  Some unexpected turn of events takes your life out of order making it difficult for things to turn out as you planned.

Matt Cage

Photo Credit:  Lori-Anne Crewe.

Photo Credit: Lori-Anne Crewe.

Your mind is sharp and you love to talk.  You may grow into this quality, beginning life as a quiet child.  Over the years you discover your voice.  An interesting conversationalist, you are appreciated for both your sense of humor and sense of fun.  Your creativity is strong.  You believe in your dreams, and you are more than willing to put effort into materializing them.  You have a mercurial, kinetic charm that brings you great affection. Your graceful bearing combines with a light touch of sophistication.  You are a guileless, nice individual.  Everyone wants to be friends with you.  Your friendly, energetic manner is so likable it's difficult to resist you.  Thoughtful and kind, you have a hands-on approach to friendship.  You make people feel special about themselves…this is your gift.  You are graceful and honest…maybe too honest, but still well-liked by people.  Your friends and family usually say you are a very attractive person.  You have a charm and wit that is magnetic.

Gordon Hendricks

Photo Credit:  Lori-Anne Crewe.

Photo Credit: Lori-Anne Crewe.

Your July 7th birthday horoscope predicts that you are likely to be sharp minded and expressive.  You enjoy the value of life lessons. The world of pranic healing and meditation attracts you and you are anxious to explore your spirituality.  Those born on this day are sensitive and often creative adventurers.  You can be competitive and put a lot of work into getting the things you want out of life.  You can be philosophical in your thinking and inspirational to others who want you to succeed.  You are not afraid to dream the impossible.  As a Cancer in love, you will do anything for your partner.  You are thoughtful and sensitive, and spoiling them is not the word for what you do.  Your soul mate should not be anything less than romantic, understanding, and affectionate.  You give of yourself and expect nothing less from others.  You have a need to be loved and appreciated. 

The birthday astrology analysis for July 7th predicts that those born on this day are funny people.  Most of all, this Cancerian is quite guilty of having a few unexpected pleasures in the most unusual of places.  You are likely to be found taking pictures of something unusual.  You visualize your life as being fit for royalty.  Typically, you are the person to set projects and ideas into motion.  You do not mind working for a comfortable lifestyle.  You like to work alone.  People respect you, so you have an image to uphold.  It is likely you are a person who saves for rainy days, as you know money plays a significant role. 

If July 7th is your birthday, you daydream a lot and are expressive.  You are good at some professions, but perhaps a hobby could prove to be a lucrative and ideal job.  Those born under the zodiac sign of Cancer are highly sexual creatures and enjoy good health, but need to get enough rest to be able to deal with stress. 

Steve Michaels

Photo Credit:  SIDEBURNS Magazine.

Photo Credit: SIDEBURNS Magazine.

If June 16th is your birthday, your horoscope predicts that you are a dreamer with a fertile imagination.  As a Gemini, you may be someone who has a prophetic quality, as your instincts and premonitions are usually on point.  You are youthful and possess a persuasive personality.  You can be impatient, and may need to take breaks to ease your mind of any negative forces.  You are focused, creative, versatile, receptive, and a visual communicator.  Those born on this day tend to be caring, empathetic individuals.  Your concern for others is accompanied with a sense of logic and an appreciation of life.  Usually, you are inquisitive and have to evaluate everything.  Your cool exterior is just a cove-up for a social and friendly personality.  You love mixing with people and making new friends. 

Gemini is usually found in a relationship that is committed.  Romance comes easy to you.  You love the togetherness of a long-term partnership.  You are sensitive when you need to be, and you know when you should pull back from a situation.  You like to relax your mind and body, but you can be playful and are inclined to pamper your partner. 

You seek stimulation and are typically emotionally open as your instincts guide you.  As a determined and motivated person, you shoot for personal happiness with a positive attitude.  You tend to look for a job that gives you satisfaction rather than one that offers an office with a view.  A favourable profession would be one that allows you to express yourself, as you love to talk.  You are a convincing, charming and positive individual.  You have excellent intuitive skills that make you an exceptional business manager.   

Notes

The birth date for Gordon Hendricks was provided by a good friend of his; and I remember Steve telling me his birthday is June 16th. 

Every day I find something new and interesting when I research ETAs. Today I found this delightful interview that Steve Michaels did in 2008 while on tour India. Steve’s nine city show was sponsored by Black Dog Scotch Whiskey which was celebrating its 125th Anniversary. At minute 2:40 you will hear Steve say, “I like to think I do a good job in keeping his memory alive,” which just so happens to be the name of my article that I wrote in 2017. What an amazing coincidence! The video is not great quality, but the sound is okay.

Black Dog Presents Tribute to Elvis Presley by Tribute Artist Stephen Kabakos

References

[1]USA’s ETA Shaun Klush’s response to Amy Argetsinger’s question: What do most people get wrong about Elvis impersonators?  Washington Post, November 13, 2014

[2] Steve Michaels repeats, “It’s all in good fun,” four times after a woman jumps on stage at the Ypsilanti, Michigan Elvisfest to hug him - with interesting consequences.  Ref: YouTube post by Dawn Gall

[3] Check out Matt Cage’s 2014 Belleville concert DVD to see how to handle a costume incident. 

[4] Information was obtained from a flyer advertising upcoming concerts.  The number was 750,000 in 2015.

Comments from Facebook

Patricia Tish Hennig-Nese loved it Carolyn. Great research. ❤

Doreen Mikolasek Really enjoyed this Carolyn and look Steve’s Birthday is 2 days away. Very timely too for him and Gordon in 3 weeks

Audrey Manasterski Wow Carolyn, that was a fabulous article. Of course my 2 favourites, Matt Cage (Dowsett) & Steven Michaels (Kabakos) were mentioned. Thank you. ❤

Eliane Champagne Wow! Very interesting as usual and funny anecdotes too 😎 You work so hard! Lots of research and references. I love reading your articles. Good job dear Carolyn ❤

Agnes Wright Hay You never cease to amaze me with your detailed, keep your readers hanging on to every word articles. Love the videos you attached!! 

Comment

Memory Lane: ETA Alan Meyer

June 4, 2020 Carolyn MacArthur
ETA Alan Meyer.

ETA Alan Meyer.

Introduction

I am so grateful for the wonderful Elvis and ETA fans I have met over past three years at shows and competitions.  I wish to thank them all for liking, sharing and following what I post on SIDEBURNS Magazine.  They are definitely the ‘Ultimate Fans’.

For this introduction, I would like to focus on one fan in particular, Audrey Manasterski.  Audrey was one of the first ETA fans I met, just days in fact, before I launched SIDEBURNS Magazine. 

ETA Matt Cage with Audrey Manasterski.  Photo Credit:  Audrey Manasterski.

ETA Matt Cage with Audrey Manasterski. Photo Credit: Audrey Manasterski.

On Friday, September 8th, 2017, I arrived very early at ETA Matt Cage’s show at Flamboro Downs.  The seating area was empty, and neither Matt, nor his sound man for the evening, ETA Brent Freeman, had arrived.  I was in the process of deciding where I should sit when Audrey and her husband, Doug, walked in.  We chatted briefly, and Audrey asked if I wanted to join them at their table.  It was Audrey’s first time at Flamboro, and she specifically came to see Matt.  Audrey shared her memory with me about the first time she met Matt:

I met Matt, of all places, at the Heartbreak Hotel in Memphis at the Jungle Room Bar.  He was there with his girlfriend.  I looked over at him and thought, “Wow, this guy is gorgeous!”  He was dressed as Elvis, of course.  I smiled and said, “On you that looks good.”  He smiled.  They came over and spoke with me.  That’s when I found out he was Canadian.  I have followed him ever since…that was 2007, I think.

Audrey and Priscilla Presley 2nd edit.jpg
Audrey with Sam Phillips.jpg
Audrey and Lisa Marie.jpg
Audrey with Cynthia Pepper and others.jpg
Audrey with Tanya Lemoni.jpg
Audrey and Matt Cage 5 edited.jpg
Audrey and Priscilla Presley painting edited.jpg
Audrey with Elvis photo.jpg
Audrey and Wendy King.jpg

In her handbag, Audrey had a plastic bag full of photos taken of her with people well known in the Elvis/ETA world.

As Audrey and I talked, it became apparent that I did not know many people in the ETA world—just a few ETAs:  Matt, Brent, Gordon, and Steve; so, Audrey, wanting to help, took out a pen and paper and wrote down some names.  With a list of contacts, a nod from Brent Freeman, and much help from my three daughters, SIDEBURNS:  The Ultimate ETA Fan Magazine, was launched two days later on Sunday, September 10th, 2017

Audrey _70th with Matt Cage edited.jpg
Audrey and Matt Cage 5 edited.jpg
Audrey and Matt Cage 3.jpg
Audrey_Brent.jpg
Audrey_Matt 2.jpg

Audrey continues to be very supportive in her comments in response to my posts; and she still dazzles me with her interesting stories and photos.  Most recently, Audrey shared a story about today’s featured ETA, Alan Meyer. 

Audrey's Alan Meyer record 2 edited.jpg

This is the very first Elvis Impersonator I ever saw, before Elvis died.  His name was Alan Meyer.  He was awesome!  We saw him on August 10th, 1974, at a club in downtown Toronto.  We took my mom there for her birthday.  Mom bought me his 45 rpm record because it was a special occasion.  She marked the date on it: “To Audrey with love from Mommy, August 10, 1974. Mom liked to date everything.  Alan’s fiancée at the time, I think, Dana, sat beside us.  She told Alan that it was my mom’s birthday, so he sang a song to her.  I don’t remember the name of the song.  It was my first venture seeing an Elvis Impersonator, though he called it his ‘Tribute to Elvis’.  I think he even met Elvis.  I don’t have any photos of Mom and Alan.  I guess we didn’t think to bring a camera that night; but here is a photo of the record.  BTW it’s made in Canada.  Alan died in April, 2015.  I couldn’t find out any more.

Thank you, Audrey, for sharing your stories and photos with all of us. 

What follows are two articles written about the life and performances of ETA Alan Meyer. The first article was written by Jimmy King in 1974 for the Winnipeg Free Press; and the second is an edited article is by Alan Hanson, who has an interesting blog on Elvis and Elvis related topics. I found it very interesting how Winnipeg, Canada, played an important part in Alan Meyer’s success.

Night Beat

By Jimmy King, Winnipeg Free Press, Saturday, February 16th, 1974

He looks like Elvis.  He sings like Elvis.  He dresses like Elvis, and on stage he moves like Elvis.  I am referring to the young man name Alan who has been playing to packed houses at the Towers since he opened there two weeks with his Tribute to Elvis show.  Alan has broken all attendance records at the Kennedy street supper club since it re-opened over a year ago.

Alan Meyer ETA article Winnipeg edited copy.jpg

One has to marvel at the Presley charisma when watching the crowd react to the handsome young imitator.  The strongest reactionaries are the female Presley fans.  They reach for Alan’s scarves, run up to the stage to the stage to snap his picture, or leave their seats to mop his brow with their own kerchiefs which they then squeeze into their bosom.  It’s as if he were the real thing. 

Alan, who evidently goes by his first name only, has a fine four-piece backup group with him, each of whom he introduces by first name only.  His repertoire is, of course, strictly Presley and he closes tonight.

In Memory of Alan Meyer:
The First Great Elvis Tribute Artist

By Alan Hanson

Alan Meyer ETA another show .jpg

Alan Meyer, a pioneer in the field of Elvis tribute artists, passed away on April 4, 2015. His show, “Alan: A Tribute to Elvis,” drew large crowds and glowing reviews even when Elvis was still alive. I saw Alan’s show in Las Vegas just a few days after Elvis died in August 1977. I remember it vividly both for Alan’s musicianship and for his respectful treatment of Elvis’s memory at that sensitive time.

In March 2010, I paid tribute to Alan’s career in my weekly entry on Elvis History Blog. Over a year later, Alan contacted me. “Pretty nice comments,” he noted. He then explained that he was working on his autobiography, which he had titled, The Illusionary Elvis. “It begins when I was, as you say, ‘at the top of my game’, but still six months before Elvis died.” Coincidentally, the first professionally booked performance of his Elvis tribute show was at the Spokane House hotel in my hometown.

That booking led to his first national tour. “First from Spokane to Winnipeg, where the Town and Country Cabaret made me a national celebrity in Canada,” he recalled, “and how they were waiting for me to arrive in Calgary because of what they heard about Winnipeg.” He went on to explain how his Elvis tribute show won the approval of audiences and critics alike:

Alan Meyer ETA show edited 2.jpg

Throughout the book I refer to an old scrapbook containing maybe 1,000 articles from newspapers and magazines that established my credibility and kept my story honest. In the Las Vegas Sun, for example, Forest Duke and Joe Delany, who reviewed the real Elvis, wrote that I was a ‘screaming success’ in their columns. Just that they were reviewing me was a little more than unusual. Possibly that Dick Clark’s name was on the marquee had a lot to do with that.

My story has some very high points, like playing on the same stages with Jerry Lee; and some funny lows, such as when I found myself on Bourbon Street prepared for another terrific gig, only to find out the place was a dive that didn’t pay me. My manager had the ability to pull tricks out of his hat to rescue me from dire straits.

Alan closed that first email message by explaining briefly why he ended his Elvis tribute show:

As you know, I was playing in the main showroom of the Tropicana when Elvis died, and my career had peaked while he was alive. Being the so-called king of the impersonators is why I quit and never looked back. That is until now. So, I’m writing about it. That I never once impersonated Elvis makes my story unique.

We continued to keep in touch for some time via email. In one message, he recalled some complimentary reviews and compared his own singing voice to that of Elvis:

Alan Meyer in gold suit.jpg

Paul Raugust of the Winnipeg Press wrote, “Alan is to Elvis as a Bentley is to a Rolls.” That was probably my most flattering review, with the exception of when Variety’s staff writer Nitty May said, “Only one thing shakes the illusion: when Alan occasionally lets go of his voice, it has more magic than Presley’s, even at his youthful best.” I, of course, disagreed. Maybe I sang ‘Teddy Bear’ in 1975 more like Elvis did on his original recording than Elvis did in 1975, but I barely approached the magic of Elvis’s voice on his original recording.

Although Alan led the way in the Elvis Tribute Artist (ETA) movement, he was disappointed with many such performers today:

To me, the dyed-in-the-wool Elvis fans have, unfortunately, truly died,” he explained. “Not all, mind you, but most. There is the new breed of Elvis fans out there that support impersonators. I call them ‘Elvis impersonator fans.’ To Elvis, these impersonators are like ‘bleached flour to whole grain.’ The dyed-in-the-wool Elvis fans like myself missed the way he sang in his early years through the mid-60s, and that’s what I tried to restore, while still pointing out the improvement in his vocal quality that he demonstrated on songs like “Hurt”.

In a follow-up email, Alan explained further:

Still, who could top “Hurt” and many other powerhouses Elvis did even on his final tour? I just found it so disheartening that his fans were so quick to turn to impersonators after he died. Kind of like they all decided it was OK then.

Alan Meyers 1977.jpg

When I asked Alan if I could read some of his autobiography, he emailed me a draft of the first chapter. It was in need of some editing, but the content was very interesting. But since our email communication ended shortly after that, I never knew if Alan finished writing his story.

My blog about Alan has been archived on Elvis History Blog since it first appeared five years ago. A few weeks ago, I received the following message from a special reader who came across the article:

Mr. Hanson, I am Alan Meyer's wife. Today is the first time I've seen your review of his ‘Tribute to Elvis’ performances. I must say I was very pleased. It is the best and most accurate review I have seen. It was always Alan's aim to create the feeling of seeing an Elvis performance—not trying to be Elvis. You may not know yet, but Alan passed on on April 4, 2015. I can not tell you what reading your review has meant to me during this very sad time in my life. I thank you so very much. I am sure it was no accident that I found this page. - Bren

Alan Meyer is credited as being the first to sing a tribute to Elvis Presley. Alan first performed publicly after he was coaxed by friends to sing in a talen...

Just a few days ago, I received another message about Alan. It came from Rick Marino, who was one of Alan’s fellow pioneers in the Elvis Tribute Artist movement. Rick’s comments are an appropriate way to conclude this remembrance of Alan Meyer.

Just read your piece on Alan Meyer. He was a friend of mine for many years. We began our careers about the same time, him in ’71, me in ’73. He was indeed a trailblazer and the first to make the big money doing Elvis shows. I wrote a couple of reviews for Alan in the early 2000s, which he appreciated, with me being the author of the book ‘Be Elvis’! I was in Vegas two weeks ago talking about Alan, when I was told of his passing. I could not believe it. I knew of his health issues but still was very unsettled by the news. We started something together, and today it is crazy how it has grown to what it is. Alan could sound so much like Elvis that it was incredible. I still have his LP from 1974-5. Peace be with you Alan. I will miss you.

Videos

Where were you the day Elvis died? Alan was headlining at the Tropicana Hotel in Las Vegas . While impersonator has become synonymous with the phrase Elvis T...
Alan is the original tribute to Elvis. He and Bren were married in Jamaica. Alan sang "Can't Help Falling in Love" to her when she walked down the isle to me...

Journalist Jimmy King

Jimmy King wrote an entertainment column for the Winnipeg Free Press for over 13 years and, from the mid-1960s to mid-1970s, was musical director for the CKY Talent Show. A member of the Winnipeg Press Club, he participated for 25 years in its “Beer and Skits” and was Club President from 1984 to 1985. He also served as President of the St. James Assiniboia Museum. Jimmy King died of cancer at Winnipeg on 10 July 1987. Pictured in the photo below (r) Jimmy’s son, Randall, who returned to his hometown of Winnipeg, follows in his father’s footsteps and has covered the entertainment beat in one capacity or another since 1990.

Jimmy King writer_Alan Meyer edited.jpg
Jimmy King writer_Alan Meyer_Randall.jpg

Writer Alan Hanson

Alan Hanson_Elvis blogger edited.jpg

Alan Hanson |© May 2015

In addition to his Elvis History blog, Alan Hanson has written two published books on Elvis Presley: “Elvis ‘57: The Final Fifties Tours” and “Elvis: The Movies”. A former military serviceman, and a teacher for 30 years at North Central High School, Alan resides with his wife, Christine, in Spokane, Washington.

http://www.elvis-history-blog.com/

Alan Hanson_Elvis book 57.jpg
Alan Hanson book-Elvis-The-Movies-cv.jpg

Magician and ETA Darrin Race

Alan Meyer ETA fan page.jpg
Magician and ETA, Darrin Race.  Photo Credit:  Darrin Race per FB.

Magician and ETA, Darrin Race. Photo Credit: Darrin Race per FB.

Darrin Race, the creator/owner of the Alan Meyer Friend and Fan page, saw Alan perform live at the Tropicana three days after Elvis died. Alan was Darrin’s inspiration and mentor for him doing an Elvis tribute. Darrin, who is also a professional magician, was friends with Alan, and his wife, Bren, for many years. Darrin is now working with Bren on archiving many of Alan's, photos, news clippings, audio and video, with a future goal of opening a venue called the "Darrin Race Magic and Movie Experience", which will include a theater, museum, and retail gift /magic shop, and a section on Elvis and Alan in the museum. He is also working on a box set of Alan’s work.

Edits by Carolyn MacArthur, Editor, SIDEBURNS Magazine. I have been in contact with Darrin Race, and hope to have an article on Darrin in the coming weeks. Photos used in this post are from “ALAN The Original Tribute to Elvis Friends and Fans Tribute Page. For more information, please click on  https://www.facebook.com/groups/1540968499528099

2 Comments

Celebrating Victoria Day and the WCCH

May 18, 2020 Carolyn MacArthur
WCCH-Sept-2015-010.jpg

Introduction

As a child in elementary school in Ontario, I remember standing for the playing of “God Save the Queen” as we faced a portrait of Queen Elizabeth II. I also remember singing with pride Bobby Gimby’s 1967 song “CA-NA-DA” to commemorate Canada’s 100th Anniversary of Confederation.

Queen Elizabeth II.jpg

On April 17th,1982, Queen Elizabeth II, Prime Minister Pierre Elliot Trudeau, the Minister of Justice, Jean Chrétien, and André Ouellet, the Registrar General, signed the Proclamation which brought the Constitution Act 1982 into force, confirming that Canada had formally assumed authority over its constitution. The day marked the official birth of Canada as a sovereign nation.

I am one of a generation of Canadians who has one foot rooted in the past and one foot planted in the new Canada. I love and respect tradition, while being open to change. Schools, clubs, and holidays have experienced many changes over the years since my childhood. Today, I would like to talk about one holiday and one very special club that have moved with the times, while keeping long standing traditions in place.

Victoria Day

Monday, May 18th, 2020, is a federal statutory holiday in Canada and it is a uniquely Canadian celebration. Canada is the only country that commemorates Queen Victoria with an official holiday. The holiday has been observed in Canada since at least 1845, originally falling on Victoria's actual birthday, May 24, 1819. It continues to be celebrated in various fashions across the country and remains a distinctly Canadian observance.

Queen Victoria.jpg

The birthday of Queen Victoria was a day for celebration in Canada long before Confederation, with the first legislation regarding the event being passed in 1845 by the parliament of the Province of Canada to officially recognize May 24th as the Queen's birthday. It was noted that on that date in 1854, the 35th birthday of Queen Victoria, some 5,000 residents of Canada West (Ontario) gathered in front of Government House (near present day King and Simcoe Streets in Toronto) to "give cheers to their queen". An example of a typical 19th century celebration of the Queen's birthday took place on May 24, 1866, in Omemeee, also in Canada West. The town mounted a day-long fête to mark the occasion, which included a gun salute at midnight, pre-dawn serenades, picnics, athletic competitions, a display of illuminations, and a torch-light procession. Such events were common around the colony; and by the 1890s, the day had become a "patriotic holiday".

Government House in Ontario.jpg

Much has changed over the years. Across the country, Victoria Day now serves as the unofficial marker of the end of the winter ski season and the beginning of cottage season. The holiday enacted to celebrate Queen Victoria, is now colloquially known in many parts of Canada as May Two-Four (referring to both to the date around which the holiday falls—May 24 and Canadian slang for a case of twenty-four beers ("two-four"). Victoria Day is also now known as  Firecracker Day. In the song "Lakeside Park" by Canadian rock band Rush in their 1975 album “Caress of Steel”, the holiday is referenced in the line, "Everyone would gather on the 24th of May, sitting in the sand to watch the fireworks display" (2:50). And many will no doubt remember singing, "The twenty-fourth of May is the Queen's birth-day. If they don't give us a holiday, we'll all run away!" as kids.

Two very different songs by Canadian artists that celebrate Canada and Victoria Day.

This year will be a low-keyed celebration with restrictions on public gatherings due to CoVid 19. I do expect to see and hear firecrackers and smell the aroma of bar-b-ques wafting from neighbouring backyards—just enough to remind us all that today is Victoria Day.

Canadian Clubs: The WCCH

Canadian Clubs are unique. The Honourable Vincent Massey described them as forming “the only organization in Canada that exists for the primary purpose of promoting a faith in our country and a love for it.” Back in the 1890s, the “Canadian identity” we take for granted, did not exist. We saw ourselves as English, Italian, Chinese, or whatever our country of origin, not as “Canadian”.

Aerial view of  Hamilton, Ontario, Canada.  Photo Credit: WCCH.

Aerial view of Hamilton, Ontario, Canada. Photo Credit: WCCH.

The Canadian Club originated in Hamilton in 1893. Canadian Clubs formed quickly across Canada. A national organization was created in 1909 and incorporated into a national “Association of Canadian Clubs” by an Act of Parliament in 1939. On May 3, 1912, the first public meeting of the Women’s Canadian Club of Hamilton was held. It appears that the ladies were welcomed as guests in the former club before deciding to start their own club with the assistance of members from the original club.

The first WCCH, which consisted of forty-three women, elected a seven-member executive and six councillors. It should be noted that, unlike today, for many years members were required to be British subjects.

Lester B. Pearson served as Prime Minister of Canada from 1963 to 1968.   He was awarded the Nobel Peace Prize in 1957 for “saving the world” as a Canadian diplomat with a UN peacekeeping force during the Suez Crisis in the Middle East.

Lester B. Pearson served as Prime Minister of Canada from 1963 to 1968. He was awarded the Nobel Peace Prize in 1957 for “saving the world” as a Canadian diplomat with a UN peacekeeping force during the Suez Crisis in the Middle East.

Their first project was a recital held to benefit the Titanic victims. The substantial sum of $54 was raised. A second project was the mounting of a bronze plaque on the Pigott Building to honour the location of the first Canadian Club.

In addition to informing members of the issues of the day through a variety of speakers, the Women’s Canadian Club of Hamilton of today has also undertaken activities to promote a broad, healthy nationalism. Over the years, support has been given to students, new Canadians, artists, authors, events celebrating local, regional, provincial and national history and projects that foster and promote pride in Canada and Canadians. In 1967, Canada’s centennial year, the WCCH helped to welcome our Prime Minister, former Hamiltonian Lester B. Pearson, who attended the 75th anniversary celebrations of the Canadian Club of Hamilton.

Encounters with Canada is one of the many organizations supported by the WCCH. Photo Credit: Carolyn MacArthur.

Encounters with Canada is one of the many organizations supported by the WCCH. Photo Credit: Carolyn MacArthur.

The WCCH continues this work in various ways. It continues to encourage students in an appreciation of Canadian culture through the Encounters with Canada program, and by making donations to many of our speakers’ favourite charities. The club donated a painting to the Art Gallery of Hamilton, the flag poles on Jackson Square and an epergne to Dundurn Castle. Members of the Women’s Canadian Club of Hamilton have long participated in swearing-in ceremonies for new Canadians. This particular activity is dear to the hearts of our members, as each ceremony reaffirms the privileges we enjoy and the responsibilities we share as Canadians.

The Women’s Canadian Club of Canada has donated its records and documents for safe keeping to the Hamilton Public Library. There are many original books with meeting minutes written in beautiful longhand script, discussion materials, copies of speeches, a book of famous signatures, as well as a wide variety of ephemera.

Former WCCH President, Pat Saunders, with WCCH Councillor, Christina Begley.  Photo Credit:  Carolyn MacArthur.

Former WCCH President, Pat Saunders, with WCCH Councillor, Christina Begley. Photo Credit: Carolyn MacArthur.

As with everything, change is unavoidable. However, the WCCH still has the desire to strengthen Canadian unity and identity, encourage the preservation and promotion of Canadian heritage and history, and to extend the knowledge and understanding of Canadians to the people of other nations.

Editor’s Notes: I had the pleasure of serving as a WCCH councillor for three years until my writing duties for SIDEBURNS Magazine took over my time. I have fond memories of those three years: connecting with other members, listening to wonderful presentations, enjoying lovely dinners, and being part of a club steeped in tradition while changing with the times. At meetings and club events, I looked forward to the moment when members and guests were asked to stand for the singing of “God Save the Queen”. As we stood facing the portrait of Queen Elizabeth II, I was transported back to the days of my youth when my Canadian identity was firmly established. The singing of “Oh Canada” and “God Save the Queen” will forever fill my heart with immense pride and joy.

In December 2019, I was invited by former WCCH president, Pat Saunders, to be her guest at Liuana Station for the WCCH Christmas luncheon. It was wonderful seeing familiar faces and meeting new people. If you are looking for a welcoming club that offers comradeship and interesting events, please contact the Women’s Canadian Club of Hamilton via their website: https://wcchamilton.ca/

Photos: WCCH 2019 Christmas Luncheon

WCCH Dec. 11, 2019 - Suzanne and Danielle.jpg
WCCH Dec. 11, 2019 - Damin.jpg
WCCH Dec. 11, 2019 - Mary.jpg
WCCH 2019.jpg
WWCH Luncheon 1 2019.jpg
WCCH Dec. 11, 2019 - me by the tree.jpg
WCCH Dec. 11, 2019 - Louis and Pamela 2.jpg
SAM_1198.JPG
WCCH Dec. 11, 2019 - Christina and me.jpg
WCCH Dec. 11, 2019 - group.jpg
WCCH Dec. 11, 2019 - Damin 2.jpg
WCCH Dec. 11, 2019 - Christina at table.jpg
WCCH Dec. 11, 2019 - Damin singer.jpg
WCCH Dec. 11, 2019 - Damin_fiance.jpg
WCCH Dec. 11, 2019 - Damin and Opera singer.jpg
WCCH Dec. 11, 2019 - Damin_fiance and mom.jpg
WCCH Dec. 11, 2019 - group 2.jpg
WCCH Dec. 11, 2019 - Lee.jpg
WCCH Dec. 11, 2019 - new members.jpg
WCCH Dec. 11, 2019 - two ladies.jpg
WCCH Table 2.jpg
WCCH Table 3.jpg
WCCH Dec. 11, 2019 - new 2.jpg
WCCH Table 6.jpg
WCCH Dec. 11, 2019 - new 1.jpg
WCCH Dec. 11, 2019 - new members.jpg
WCCH Dec. 11, 2019 - new 3.jpg
WCCH Dec. 11, 2019 - new 4.jpg
WCCH Table.jpg
WCCH Dec. 11, 2019 - new 5.jpg

Photos: Past WCCH Events

WCCH Me with Dr. and Mrs. Ferns.JPG
WCCH Me and Judge.JPG
WCCH Me with Book.JPG
WCCH Me at Table.JPG
WCCH speaker.JPG
SAM_0442.JPG
SAM_0443.JPG
SAM_0444.JPG
SAM_0445.JPG
SAM_0446.JPG
SAM_0447.JPG
SAM_0448.JPG
SAM_0449.JPG
SAM_0450.JPG
SAM_0622.JPG
SAM_0451.JPG
SAM_0453.JPG
SAM_0455.JPG
SAM_0456 (1).JPG
SAM_0457.JPG
SAM_0458.JPG
SAM_0661.JPG
SAM_0662.JPG
SAM_0755.JPG
SAM_1346.JPG
SAM_1354.JPG
SAM_1355.JPG
SAM_1350.JPG
SAM_1351.JPG
SAM_1348.JPG

Edits, and photos in above album, are credited to Carolyn MacArthur, Editor, SIDEBURNS Magazine. Information sources: https://www.wikipedia.org/ and https://wcchamilton.ca/

Comment
← Newer Posts Older Posts →

Sideburns:  The Ultimate ETA Fan Magazine.  © All rights reserved. Copyright 2017